cresc... Fadenspiele • 16 – 25 Feb 2O24

Alexander SchubertAlexander Schubert
Brad LubmanBrad Lubman
Brigitta MuntendorfBrigitta Muntendorf
Christian JaksjøChristian Jaksjø
Cocoon DanceCocoonDance
Ensemble ModernEnsemble Modern
Friederike BrendlerFriederike Brendler
George BenjaminGeorge Benjamin
Gil Monteagudo RuizGil Monteagudo Ruiz
Hendrika EntzianHendrika Entzian
Hermann Kretzschmarhermann Kretzschmar
hr-Bigbandhr-Bigband
hr-Sinfonieorchesterhr-Sinfonieorchester
IEMA Ensemble 2023/24IEMA-Ensemble 2023/24
Jeaduk KimJeaduk Kim
Jim McNeelyJim McNeely
John HollenbeckJohn Hollenbeck
Lawrence PowerLawrence Power
Luke PoeppelLuke Poeppel
Matthias RiekerMatthias Rieker
Megumi KasakawaMegumi Kasakawa
Michael HopeMichael Hope
NEKO3NEKO3
Niels KleinNiels Klein
Norbert OmmerNorbert Ommer
Po-Chien LiuPo-Chien Liu
Polina KorobkovaPolina Korobkova
Rafaele GiovanolaRafaële Giovanola
Rebecca SaundersRebecca Saunders
Ryoji IkedaRyōji Ikeda
Sofia GubaidulinaSofia Gubaidulina
Stefan AsburyStefan Asbury
Sunghyun LeeSunghyun Lee
Sylvain CambrelingSylvain Cambreling
Tania LeónTania León
Yann RobinYann Robin
Yannik MayaudYannick Mayaud
Yasuhiro ChidaYasuhiro Chida
Żaneta RydzewskaŻaneta Rydzewska
Yann Robin

Artist

© Ugo Ponte
cresc... Fadenspiele

Yann Robin

In parallel to pursuing jazz studies at the CNR in Marseille, Yann Robin (b. 1974) studied composition with Georges Boeuf then joined the class of Frédéric Durieux at the Conservatory of Paris (CNSMDP), studying analysis with Michaël Levinas before taking the computer science course at IRCAM. During these formative years his meeting with Jonathan Harvey would mark him deeply.

His music, powerful and voluminous, where pulsation and rhythm encounter moments of ecstasy, is released with great bouts of energy. By way of contrast, the timbre navigates between purity and impurity. The lure of low abyssal frequencies which he refers to as »a world from below« brings him to ›Inferno‹, for large orchestra and electronics, and to the exploration of the infrasounds he uses here as an »underground dramaturgy«. Since ›Monumenta‹, a piece for large orchestra with 95 musicians, he has been developing the concept of »negative harmony«, allowing him to conduct mass and texture of great density with high precision and for the whole duration.

In 2009 and 2010, he was a fellow at the French Academy in Rome, the Villa Médicis, where he launched a new contemporary music festival, the Controtempo Festival.

He works in close collaboration with many soloists including Alain Billard, Nicolas Crosse, Eric-Maria Couturier and the Tana Quartet and also with conductors like Susanna Mälkki, Allan Gilbert, Jonathan Nott, Ludovic Morlot, Peter Rundel, and Leo Warynski among others.

In 2005, he co-founded the Multilateral Ensemble, of which he is the artistic director.

His music is published by Editions Jobert.

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