cresc... Fadenspiele16 – 25 Feb 2O24

Alexander SchubertAlexander Schubert
Brad LubmanBrad Lubman
Brigitta MuntendorfBrigitta Muntendorf
Christian JaksjøChristian Jaksjø
Cocoon DanceCocoonDance
Ensemble ModernEnsemble Modern
Friederike BrendlerFriederike Brendler
George BenjaminGeorge Benjamin
Gil Monteagudo RuizGil Monteagudo Ruiz
Hendrika EntzianHendrika Entzian
Hermann Kretzschmarhermann Kretzschmar
IEMA Ensemble 2023/24IEMA-Ensemble 2023/24
Jeaduk KimJeaduk Kim
Jim McNeelyJim McNeely
John HollenbeckJohn Hollenbeck
Lawrence PowerLawrence Power
Luke PoeppelLuke Poeppel
Matthias RiekerMatthias Rieker
Megumi KasakawaMegumi Kasakawa
Michael HopeMichael Hope
Niels KleinNiels Klein
Norbert OmmerNorbert Ommer
Po-Chien LiuPo-Chien Liu
Polina KorobkovaPolina Korobkova
Rafaele GiovanolaRafaële Giovanola
Rebecca SaundersRebecca Saunders
Ryoji IkedaRyōji Ikeda
Sofia GubaidulinaSofia Gubaidulina
Stefan AsburyStefan Asbury
Sunghyun LeeSunghyun Lee
Sylvain CambrelingSylvain Cambreling
Tania LeónTania León
Yann RobinYann Robin
Yannik MayaudYannick Mayaud
Yasuhiro ChidaYasuhiro Chida
Żaneta RydzewskaŻaneta Rydzewska
Polina Korobkova


© Privat
cresc... Fadenspiele

Polina Korobkova

Polina Korobkova is a composer, text manufacturer and lecturer, based in Berlin.

She is currently enrolled in the ›Konzertexamen‹ program (3rd cycle)at HMDK Stuttgart, where she works on her research under the supervision of Martin Schüttler. Additionally, she is an associate docent of facultative composition at HMDK for summer and winter semesters 2023, giving seminarson interconnection between composition and media theory, as well as individual lessons.

She has received a MA in composition and music theory from Zurich University of Arts, where she studied with Isabel Mundry and Johannes Caspar Walter, as a part of collaboration between Zurich and Basel institutions. Her master thesis ›spaces surrounding music, spaces seeping into music‹ is dedicated to mediality of music.

Polina was awarded with ›Forum junger Komponist:innen‹ (2023) distinction by Ernst von Siemens Musikstiftung in collaboration with Bayerische Akademie der Schönen Künste. She is also the main prize winner of Bludenzer Tage zeitgemäßer Musik (2021), the tender of the IGNM Zurich (2020) and the 26th Apeldoorn commission prize (2020). She has received the Zender-Stiftung Scholarship, ZHdK Excellence Scholarship, the Nicati-de-Luze Scholarship, the Hirschmann Scholarship and the Lyra Scholarship.

Polina’s most recent projects include participation in Munich Biennale for contemporary music with her music theatre
›S P U R E N‹ (2022), performance of her composition ›implanted memories‹ in Gare du Nord (Basel) and in Kunstraum Walcheturm (Zurich).

In 2023 Polina was invited to participate as a guest lecturer in a critical theory conference/workshop ›Agency, rituals, gestures‹ in Zurich University of Arts and in a musicology conference ›Music, Body, and Embodiment: New Approaches in Musicology‹ in Centro Studi Opera Omnia Luigi Boccherini.