cresc... TransitProgramme

Doppelportrait Alvin Lucier und Éliane Radigue
kuratiert von Ilan Volkov

Alvin Lucier: Silver Streetcar for the Orchestra für Triangel (1988)

Alvin Lucier: A Tribute to James Tenney für Kontrabass und Sinuswellengenerator (1986)

Éliane Radigue: OCCAM I für Harfe solo (2011)

Éliane Radigue: OCCAM XII für Viola solo (2012/13) UA

Catherine Lamb: Mirror für Kontrabass (2007)

Ben Patterson: Pages to Save Our Planet (2008)

Ben Patterson: What music can you make from these notes? (2008)

Mik Quantius: Solo Performance

Klanginstallationen (durchgehend)

Alvin Lucier: Directions of Sound from the Bridge (1978)

(eingerichtet von Hauke Harder)

Pierre Berthet & Rie Nakajima: Dead Plants and Living Objects (2016/17)

Hauke Harder: Grigio Due für 3 Sinusgeneratoren, Verstärker und Druckkammerlautsprecher (1997)

Rainer Römer (Schlagzeug), Rhodri Davies (Harfe, E-Harfe), Catherine Lamb (Viola), Paul Cannon (Kontrabass), Mik Quantius (Stimme, Keyboard, Objekte), Pierre Berthet & Rie Nakajima (Live Performance)

Nassauischer Kunstverein Wiesbaden

The conductor Ilan Volkov, who handles musical tradition as easily as most recent music, loves experiments. Since open work concepts, more accurately described as experimental settings, or extremely daring, yet remarkably emphatic works for small formations are usually given short shrift in the setting or larger orchestral festivals or simply fall by the wayside, Volkov has taken to curating his own programmes within longer programmes, wherever he can and there is a demand. He calls these projects, which are remarkable for their inner coherence, »Tectonics«. For cresc... 2017 he has created one of them, harbouring several surprises.

A conversation with Ilan Volkov:

YouTube-Video

Supported by the Aventis Foundation.

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